Paper 48

RYTHMICAL MODEL OF THE ART – A HOLOGRAM OF THE SPIRIT ІІІ (THE BUILDING)

Liuba Zlatkova
Shumen Univesity „Episkop Konstantin Preslavski“

РИТМИЧНИЯТ МОДЕЛ В ИЗКУСТВОТО – ХОЛОГРАМА НА ДУХА ІІІ (ГРАДЕЖЪТ)

Люба Атанасова Златкова
Шуменски университет „Епископ Константин Преславски“

 

Abstract: The report describes rhythm and arts’ rhythmical models as a basis for understanding human
development with the help of the different sides of folklore. It assumes that the models are condensed
knowledge about human thought We make a hypothesis that there is a connection between Bulgarian buildings
in antiquity and during the national Revival, and King Solomon’s temple. This connection is based on the
rhythmical organization of said buildings and it demonstrates the idea that if a man is created in God’s image,
then his home, too, must resemble a home of God. Based on this, the author feels justified positing that, like a
hologram, rhythm may be a means of perceiving the whole of mankind’s knowledge

Keywords: rhythmical model, culture, hologram

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